ABOUT
Marcus Borja is an actor, author, director, musician and choirmaster.
He holds two doctorate degrees from the Sorbonne and the University of São Paulo (2015) and SACRe/Paris Sciences et Lettres (2017). His career began in his native Brazil where he stages his first production at the age of 20: Sete Mitos de Amor (Seven Myths of Love), an adaptation of stories from Greco-Latin mythology for twenty performers and an Early music quintet. In this production he was set and costume designer as well as musical director.
After a degree in literature at the University of Brasília he moved to France at the age of 24. He attended the École internationale de théâtre Jacques Lecoq before being accepted into the École supérieure d’art dramatique de Paris (ESAD), and, then into the French National Conservatory of Dramatic Art as a theater director. He has also acquired a degree and masters in art history and museology from the École du Louvre.
It is this diverse background that has given rise to the polyphonic and multifaceted character of his work (theater, performance, musical concerts, opera, puppetry, etc.)
Artist,
Researcher,
Pedagogue
Fluent in five languages, Marcus Borja sees himself as an artist-researcher- teacher. These three different perspectives do not only nourish his career but actually are the main composites of his work.
He teaches at the ESAD, the École du Nord (Lille) and at the Cours Florent, as well as at the universities of the Sorbonne Nouvelle and Paris 8 Vincennes Saint-Denis. Moreover, he teaches workshops and masterclasses in France and abroad.
He has published several articles such as “From the Collective to the Collaborative: Trends and Developments in Plural Scenic Writing” in Les Collectifs dans les arts vivants depuis 1980, (L’Entretemps, 2014); “Active Listening and the sound of silence: Musicality as the Basis for Directing Actors” in La Direction d’acteurs peut-elle s’apprendre ?, ed. Les Solitaires Intempestifs, 2015 and “Audible Presence and Listening in Presence : Towards a Sound Poetics of the Theater”, Revue Sciences/Lettres [Online], 5 | 2017.
In November 2015, he co-organized the international conference Pratiques de la voix sur scène : de l’apprentissage à la performance vocale (Voice & the Stage: from training to vocal performance), a partnership between the Gérard Phillipe Theater (Saint-Denis), the CNSAD and the Paris 8 University, that bought together researchers and artists from around the world.